INSTALLATIONS
Totems - 2024
Each totem features an array of flowers—lilies, daisies, bellflowers, tulips, and roses—all growing vertically rather than horizontally. Scientists suggest that vertical growth for flowers and vegetables could reduce the need for fertilizers and soil, as sunlight compensates for much of the traditional ground-based requirements. In the future, this approach could revolutionize agriculture, offering a more efficient and sustainable way to cultivate crops, expanding the possibilities for alternative plantations.
Revitalize / Regrow - 2024
A dead, withered tree is brought to life by 14 children living in a children's home, with multiple disadvantages, participating and creating in the mentoring program Tehetség Esélyt Érdemel, under my guidance. This installation is a continuation of "Dry Forest" from the Art Market Budapest 2023.
Polluter's Wall I - 2023
Set against the ominous backdrop of an oil refinery, Polluters Wall 1 confronts viewers with the stark reality of industrial pollution. The artist encases digitally altered photographs in epoxy, creating glowing "Capsules" that immortalize environmental decay. These illuminated lightboxes serve as both artistic artifacts and urgent commentaries, compelling us to reflect on humanity’s role in the destruction of our planet.
Polluter's Wall II - 2023
Set against a graffiti-covered urban backdrop, Polluter’s Wall 2 presents illuminated lightboxes that capture the stark reality of environmental decay. Digitally altered photographs, encased in epoxy, appear fossilized—preserving scenes of industrial impact. Glowing against the raw setting, these works serve as visual time capsules, urging us to confront pollution’s lasting imprint.
Dry Forest - 2023
"Dry Forest” is a serious commitment by the artist because this new emergency stage happens all over the world. California, particularly, affected by this horrifying events by the forest fires and the sun is not responsible for the rising temperatures. Suzanne is bringing samples of this work to the show.
Endangered Water - 2022
Water is ever-changing—soothing and life-giving, yet also unpredictable and dangerous. Plankton, tiny organisms suspended in water, help produce oxygen, but their population has declined by nearly 50%, disrupting marine ecosystems. To protect our future, we must reduce pollution, control ocean acidity, and safeguard this essential resource.
Tableau I: Dry Forest - 2021
This tableau transitions from lush green to fiery red and burnt black, symbolizing the destruction of forests. What begins as a serene escape into nature turns into a warning against relentless technological expansion. It urges us to protect and preserve our fragile natural world.
The Forest: Tree of Life
This series explores the delicate balance between nature and human impact. Through vibrant yet fragmented compositions, I capture the transformation of forests—flourishing, threatened, and ultimately scarred by environmental destruction. This work serves as both a visual journey and a call to action for the preservation of our natural world.
Vanished - 2017
I blend traditional art with technology, using epoxy, metal, found objects, LED lights, and conventional mediums like photography, paper, paint, and canvas. Vanished expands this exploration with wood and rubber, incorporating tree roots and discarded tires to highlight the tension between nature and industry. These works poetically reflect on humanity’s disruption of nature’s cycles and the environmental consequences of unchecked industrialization.
Vanished: Tree Trunks - 2017
I repurpose dried trees, decayed wood, and roots to embody nature’s fragility and resilience. Weathered trunks and embedded mirrors reflect both light and the accelerating effects of climate change, intensifying the warning signs of a warming planet. These sculptures serve as a call to recognize our delicate environmental balance and the urgent need for action.
Vertical Establishments - 2007
This work reflects on the 21st century and our evolving world. I use symbolic images and towering monoliths to represent pollution, a legacy of our past. The inner part of the circle represents positive space, and the outer part is negative space. I’ve explored seven areas that intentionally lead to an apocalyptic scenario. I see this breakdown as essential for future horizontal development. The installation serves as a complex, historical statement.